We are very pleased to premiere a brand new Kintaan track from their upcoming album on Annihilvs. I should immediately state that this is definitely not “dark ambient”. Annihilvs has been releasing music, for years now, which falls outside the boundaries of genre norms. You will find in Kintaan, music which is basically impossible to categorize. There are many elements of many different genres present here, and yet no one genre could be said to define the music. So in keeping with our site’s ambitions to step outside our norms when warranted, Kintaan seems like a perfect act to share as our first “on the periphery” premiere. We hope you’ll enjoy this intriguing oddity.
Extradimensional post-music trio Kintaan have been astonishing audiences up and down the eastern seaboard for well-nigh a decade. During that time, their untitled debut album, recorded behind a block of dilapidated warehouses by an overgrown rail line littered with trash, has been coming together at a glacial pace.
Like so many artists in our roster, Kintaan hails from Providence, a place established as a haven for those “distressed of conscience,” and the city of H.P. Lovecraft. Cold, wet, and grey New England, where horrible nightmares have gripped and deformed minds for centuries. This is where witches burned, where stakes were driven through lifeless bodies, where America’s industrial revolution began, as human ambition poisoned the fertile black soil. It is no wonder that a band that evokes such cavernous depths of nameless, formless evil would be born of one of America’s oldest and most mysterious cities.
The core unit of Bassist/vocalist Josh Yelle (LVMMVX/DHIM), drummer Eric Griehsbaer (VOSP/POOL), and electronics/synth wizard Marc Jameson (member of SKIN CRIME) constructed the album with the aid of Sean Halpin (CRAOW). The album has been mastered by Andy Grant (THE VOMIT ARSONIST), who has often been seen performing live with Kintaan since autumn of 2017.
In 2018, Annihilvs is very pleased to present this brutal slab of mutant sounds as a digipak CD-R, in conjunction with editions released by Danvers State Recordings (cassette) and Concrete Lo Fi Records (vinyl).
This release will also be available as the ‘Most Ancient’ edition, a bundle including a t-shirt, a one-sided picture disc lathe-cut 7inch single (featuring a remix by Theologian), and a copy of the digipak CD-R.
This evening DJ Le Bourreau (Theologian) will be keeping the Machines With Magnets establishment alive between some very interesting acts which include:
Grey Matter Productions says:
Corona Barathri is a group of devout Luciferians from Russia and Ukraine who perform and record ritual invocations dedicated to the Diabolus. The group has collaborated with ritualistic musicians such as the infamous Michael W. Ford and under the banner of great ritual ambient labels like Black Mara Records. Nox Mali was recorded on the eve of the Great Sabbath and contains a collaborative track with fellow Luciferian ritual ambient group Antelogos, out of France. The track is 21 minutes of dread-induced hypnosis. The swirling and startling strings that sit atop a layer of thick and foggy drone set the mood. Ritual ting-shas, Tibetan singing bowls and a steady flow of light and airy chimes complement the atmosphere by inducing a sense of something greater being called to the forefront, as Latin invocations are both spoken and sung. Suddenly the mood shifts, massive pounding drums are introduced, terrifying the soul. Waves of thunderous distorted noise move in and out of audible range, as if the devil himself were breathing down your neck. All this, only 6 minutes into the ritual invocation.
A few words from Corona Barathri:
Flame borned by Darkness reflects in black hearts,
Spirit filled with Evil is embodied in black souls.
Devil’s tribe, Sons of Nahema,
Cursed by light, marked with the seal of Hell,
Heirs of the Great Abyss.
Night of Evil, Night of the Nights, Night of the Triumph of Evil Force, Feeding the Fire with our blood.
Samael is the Father of Sins, the Source of Death.
Childs Of Nahema – Sons of Perdition, Dark Warriors, curse to god, curse to the world, curse to mankind.
Keep Black Fire Burning!
Honor Satan with your shed blood, evil word and evil deeds!
One Heart – One Essence.
Martyria recently graced us with their self titled debut on Malignant Records. (Read our review here.) Fans around the genre were quick to give them praise for the depth and sincerity in their version of ritual dark ambient. Comparisons to the Aural Hypnox roster, Shibalba and other well-renowned artists of this ilk are warranted. The Kalpamantra net-label, in association with Malignant Records, is releasing their annual digital Malignant Records compilation. As in the past, The Portrait Of Mortality is a combination of solo tracks and collaborative tracks amongst fellow label mates.
We are proud, here at This Is Darkness, to present to you an exclusive premiere of Martyria‘s solo track, “Epiclesis”, which will be featured on The Portrait Of Mortality compilation, set for release on 28 June 2018.
Martyria says about “Epiclesis”:
In Plato’s work entitled The Republic, the ‘Allegory of the Cave’ is presented, where a group of chained people live all their lives in a cave, facing a blank wall. Behind them, there is a fire that they cannot see. As a result, the shadows which are projected on that wall are perceived by them as reality. According to Socrates, the philosopher is like a prisoner who has escaped from the cave and discovers that the shadows are just a part of reality. Similarly to this allegory, a world of shadows is described in our track entitled “Epiclesis”. In this world, the shadows walk on a lightless path invoking the morning star. With each step, they make the shadows become weaker as they approach the fire of Prometheus until they are self-sacrificed in his fire, in order to transform the unknown into knowledge.
Band Name: Martyria
Country: Greece
Labels: Malignant Records, Urtod Void, Hammerheart Records
Members: George Zafiriadis, Lena Merkouri
Links: Official Web Site, Bandcamp, Facebook
We are very pleased to share with you an exclusive preview of the new Atrox Pestis album, Hewn by the Hands of the Damned, set for release on Chryptus Records! Grant Richardson, the man behind Atrox Pestis is better known for his main project Gnawed. The death industrial project, Gnawed, has already released several acclaimed albums through Malignant Records as well as their own label, Maniacal Hatred. The full length debut of his dark ambient project Atrox Pestis is being released courtesy of Chryptus Records, an up & coming label which has already released albums by Strigae and Anthony Amelang.
The promotional video is an eight minute piece created by Grant Richardson himself, and complements the title track “Hewn by the Hands of the Damned”. Hewn by the Hands of the Damned releases January 5, 2018!
Album blurb by Chryptus Records:
“Mark 9:43
And if thy hand offend thee, cut it off: it is better for thee to enter into life maimed, than having two hands to go into hell, into the fire that never shall be quenched
Genesis 1:6
And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters
Who are “the damned,” the living or the dead, and which of these is the cruel plague? We have riven great scars in the surface of the planet. Each human age brings with it more terrible capabilities. Do we approach godhood, or something else? The ambivalence of the great powers of the universe is frightening.
Where Gnawed is the bloody heartbeat of humans crushed by their own creation, Atrox Pestis is that same barren world self-reflecting. Pristine bass, distant scrape, the rumination of a world luxuriating in deep, geological time. Those ambivalent forces have set about reshaping our world. What will be created next?
Hewn by the Hands of the Damned releases January 5, 2018!”
This Is Darkness is pleased to present you with the exclusive premiere of the new music video for “Junges Liebespaar” the fourth track from the new album Erlebnis by Unsichtbar. The video was recorded and edited by Turkish experimental filmmaker Müge Yıldız with a LomoKino Super 35 camera. The full album is available on Bandcamp here.
Press Release:
Unsichtbar, a mysterious project from Lima (Peru), debuts with Erlebnis: a truly rich, minimalist, meditative, expressive, and emotional project, where the use of clarity mixed with distorted instrumentation invites the listener to drift into a moving, tenebrous, soul-filled place. The album contains somewhat noisy ambient music, which, rather than being built around structured compositions or clear melodies, floats around you like early morning fog. There are moments of clarity too, though, moments when a clear light shines through like a single ray of the sun piercing the dark clouds after a storm. Erlebnis was released November 17 digitally and on limited edition cassette through London-based record label ACR.
Trying to explain this project is kind of tricky since I created Unsichtbar, my alter ego, to make music without thinking too much. If I give too many details, I go back to myself, and that’s something I am trying to avoid. Here, I experiment with completely different and new sounds with the only intention of experimenting. No hidden messages, no complicated concepts, nothing at all. Just textures and sensations. That’s what ‘Erlebnis’ is about.
Links:
Facebook:
https://www.facebook.com/unsichtbarmusik/Unsichtbar
Instagram:
https://www.instagram.com/unsichtbar.music/
Twitter: Tweets by unsichtbarmusic
Asath Reon is the latest artist to join Black Mara Records. I’ve been following the progress of Michal Polgar, the man behind Asath Reon for several years now, and we’ve become friends over the process of many chats about dark ambient and related topics. Michal and Black Mara Records allowed This Is Darkness to publish an exclusive premiere of one track, “The Damned” from the upcoming album Buried Visions which is set to release on 10 August 2017. I also decided to take this opportunity to pick Michal’s brain and give readers a bit of background on the music, the man and the message behind Asath Reon. I hope you will all enjoy!
“The Damned” by Asath Reon, from the upcoming album Buried Visions
Michael: Congratulations on the upcoming release on Black Mara. This looks like a pretty impressive debut. Are you happy with everything leading up to the release? Asath Reon: Thank you Michael, I’m glad you have such a positive view on the release. Of course, I’m really happy about it. There were no difficulties or negatives in the creation process and I enjoyed working on it.
Michael: How would you classify the sounds of Asath Reon?
Asath Reon: Well, this is quite hard question. This music in general is characterized by most people as meditative, ritualistic, spiritual, or even ominous. But about the sounds its a bit different. The intention is to highlight the ritual instruments and their sounds. Classification of this is complicated, because their scale of use and their effects on the human psyché and beyond is very wide.
Michael: How long have you been into ritual/dark ambient music?
Asath Reon: I have been in this kind of music since 2013.
Michael: Is this your first endeavor as a dark/ritual ambient artist?
Asath Reon: No it´s not. When I discovered dark ambient music, I felt this is something more than music. I wanted to participate in it, because I knew there is a sea of feelings and thoughts to express. 2013 was the beginning, I had no project yet, just a few songs I put on Youtube. Then after that, a new project was born, named Morvranh. It was my first project, and in 2014 since there was support from many people who liked it, I continued to create music. Also, 2014 brought my first physical release, under the wings of Forest Path Records. Then there was a second project we were working on with Ruairi O´Baoighill named Order of the Black Dawn. This project had a physical release on the Noctivagant label. It was a pleasure to get in touch with people from various labels and also artists. Every person gave me inspiration and we were working on something very important for us, we were able to influence each other. I’m really glad for all of these experiences and the things we share. After all of this I realized that ritual ambient is something I really want to do, because it can evoke the deepest messages. That’s why Asath Reon was created. And I have to say, the approach to Asath Reon is much different from these other projects. My music-creation process has improved since 2013 and that’s why I can focus on recordings of, lets say “ritualistic” experiences, the things going on are much more complex. This word, ritualistic, is just an idea. With my improved skills in music-creation, I am able to produce sounds that can give a whole new concept to the songs.
Michael: What sorts of hardware was used in the creation of Buried Visions?
Asath Reon: There are a lot of instruments. I used two of my kangling trumpets, singing bowls in combination with bowed singing bowls, percussions, drums, chimes, mouth harp, other metallic objects, conch shell, vajra-shaped bell and more. As for the hardware, I used IC recorder with a studio microphone connected with two adapters, my laptop with DAW, keyboard, lots of plugins and of course my voice.
Michael: How long have you been working on Buried Visions?
Asath Reon: I started to work on it in 2016. But the concept was in my head earlier than this. The idea and specific way of expression of the whole project were things that needed to be here before the actual recording process could begin.
Michael: Is there a particular meaning behind the name Asath Reon?
Asath Reon: Yes, but it´s very subjective and has a deep meaning only to a very small, secret group of people in my country.
Michael: Do you expect future releases to follow the format of this album? Or, do you think that you will move into new territory for your next release?
Asath Reon: I’m glad for this question. I have to say, that for releasing this album with its whole idea and concept, working with the Black Mara label was simply the best decision. After Dmitrij, from Black Mara Records, asked me about it, I knew this would be the best suited home for the Asath Reon project. It was not because of how nicely Black Mara are doing their physical releases. It was about the treatment of ideas, the way of approach to the mentioned concepts, eye for art and what would be the best solution for the variety of aspects during the whole releasing process.
Michael: Can you explain a little bit about the physical release, as it comes with a handmade book?
Asath Reon: The album comes with a booklet of photos which I made, and a pendant with the eye used in the symbol of Asath Reon. All of the photos are thematically on one wave. They depict ritual objects, places, and archaeological finds along with a combination of old cultish ideas, funerary rites, and necromancy. That’s what the project is about. The photos give a better idea of the topic and the music. With the photos you can hear the music deeper and with the music you can see the meanings of the pictures.
Michael: How has your experience been so far working with Black Mara?
Asath Reon: I wish I could thank Dmitrij and all the Black Mara family enough for supporting the project. The road to release from the beginning of the Asath Reon idea was accompanied by many conversations with Dmitrij, who has always been very pleasant and helpful. I’m really happy about it and we are still in contact and have become good friends. We have the same perceptions of art, music and many other things. He and Black Mara are doing a wonderful job, and as I said in a previous question, all of the positive attributes should be known in the wide spectrum of music and ideas they are giving to people.
Michael: Do you have any musical influences that have had an impact on Asath Reon?
Asath Reon: Of course. There were plenty of artists and projects I used to listen and influenced me in thinking. I would mention Jindøich Spilka from Druhá Smrt, Endvra, Funerary Call, the Aural Hypnox label, Kammarheit, Metgumbnerbone, Vidna Obmana, and many many others.
Michael: What is the perfect environment for listeners to enjoy your music, alone in the dark, during meditation, etc.?
Asath Reon: This is very subjective, but worth trying at least one time is in the woods, or in a calm enviroment at night, in a calm state of mind, with concentration and with a good set of headphones.
Michael: Are there any rituals you perform in preparation for creating music? Such as burning incense, meditation, intoxication, invoking a god, etc.
Asath Reon: Yes. Most of the sounds were recorded whilst I was performing a ritual. Mostly it was recorded in the woods, on the place you can see on the picture in the booklet, or in the video teaser. I also use incense, and create in a dark environment, mostly at night, when I’m ready to compile the recordings. There are also several natural entheogenics involved in the rituals, but they are used occasionally, because of everything that they can tell and everything that needs to be ripened in the head. That’s why they are only used occasionally and during these times I can’t record anything and I have to be in a “clear environment” to understand the meanings. These kind of rituals produce much more than mere recordings.
Michael: Thanks for your time, I will leave the final words to you!
Asath Reon: Thank you too Michael. It was a pleasure and I wish good vibes for you and for all the readers.
Michael: How long have you been into ritual/dark ambient music?
Michael: Is there a particular meaning behind the name Asath Reon?
Asath Reon: This is very subjective, but worth trying at least one time is in the woods, or in a calm enviroment at night, in a calm state of mind, with concentration and with a good set of headphones.