Altarmang is the musical project of Kenneth Hansson and Pär Boström. They contributed the second pre-order/preview track to the new compilation This Is Darkness Presents Vol.1 Dark Ambient was created by Altarmang.
We should all be familiar with the works of Pär Boström. He is best known for his project Kammarheit. Later he started the project Cities Last Broadcast, which has grown to a level of almost equal fame as Kammarheit. Over the last two years, Pär began the label Hypnagoga Press with his sister Åsa. The two have released three issues of The Solar Zine so far on their label, along with the album Orgelhuset, the debut by their shared musical project Hymnambulae. If you’d like to get a more in-depth look at what Pär and Åsa Boström have to say about their Hypnagoga Press, I recommend you read my previous interview with the two of them, which can be found here.
We were first introduced to Kenneth Hansson on the album Void, by Altarmang. Void was first released as a cassette exclusively packaged with The Solar Zine Issue No. 2, which is now sold-out, though you can still get copies of issues no. 1 & 3 here.
”They depict this process as a creative as well as a spiritual one. Altogether the album Void was re-worked and completed during five sessions. Each session started with preparing and burning incense, to set space and center.
’Kenneth is a real alchemist. He chose what herbs to use and explained their unique quality. I sat next to him, inhaling the atmosphere, letting my mind wander’ Pär says.
’The preparations were for setting space and shifting into a focused and trance-like state. All five sessions tapped into that space and state’ says Kenneth.”
– Interview with Altarmang, The Solar Zine, issue 2.
The album was well received and was quickly picked up by Autarkeia for a vinyl release, which can be found here. Shortly afterward Cyclic Law announced that they would be releasing the album in a CD digipak version along with two more previously unreleased tracks. That version is set for release on 22 September 2017 and can be found here. In preparation for the digipak release Altarmang have created a music video for the track “Salamander” one of the new tracks that will be included on the Cyclic Law version of Void.
The first track on our new compilation This Is Darkness Presents Vol.1 Dark Ambient is by Aseptic Void.
Aseptic Void is the project of Davide Terreni of Montopoli in Val d’Arno, Italia. He started out his musical endeavors with an academic training on the violin. In 2009 he began his dark ambient project Aseptic Void. In 2013 he released his first album, Carnal.
Later that year, he would go on to release his second album, Psychosis, on the Cryo Chamber label, which at the time was just building its foundations.
To date, Aseptic Void is probably the most well recognized for his soundtrack to the video game The Town of Light which was released in February of 2016.
Aseptic Void uses a combination of dark ambient and experimental music to create crushingly dark tones. His sounds could likely be classed within a sub-genre which we could loosely call horror ambient.
Mind Control II
He often exhibits his paintings and they have been used several times for his album covers.
“Psychology is close to my music, because I put in place a continuous catharsis… using the language of sounds to externalize my desires, recounting what lies inside of my head. I started making music for extreme communicative exigency. I always look for the best moment of inspiration for the realization of my music. I love composing at night, when the silence and tranquility envelop me. My paintings help me to complete this ‘mechanism of expression’. Painting is another art form that helps me.”
Hoor-Paar-Kraat is one of the musical projects of surrealist painter Anthony Mangicapra. He’s been releasing music for over 15 years on various labels. However, my first encounter with this musician was through this latest release, The Place of the Crossing, on Chthonic Streams.
The sounds of Hoor-Paar-Kraat fall somewhere between the realms of experimental, ambient, dark ambient, noise and neo-classical among probably several other potential tags. Needless to say, with this wide range of genre associations the music is quite interesting throughout the 22-minutes of this cassette release.
There are only two tracks on this album, which are unnamed. The only cue of a separation between the two tracks is the segregation between two sides of the cassette. The music on Part 1 is a gradually progressing aural experience. The sounds incorporated seem to be almost too numerous to fully document. The track starts off in a complete silence that slowly introduces some field recordings of various sounds which amount to maybe something shuffling around on a table. From there is presumably an acoustic guitar which is heavily treated with delay, subtle drones fade in and out of the mix, and a plethora of other natural and/or synthetic instruments come and go. There seem to be tape-loops making up at least some portion of the foundation of this track, though the experimental nature of the track makes it hard to fully settle on any one concrete conclusion. There is a bit of a lull in the middle of the track, before it gradually picks up intensity in the second half; harsher drones becoming the dominant element.
Part 2 starts off abruptly with the sounds of classical music being heavily manipulated, likely by means of manually spinning a record, forward, backward, slowly and then much faster and back again. These manipulated classical sounds continue on for several minutes, at times feeling like something that could be comparable to the vinyl manipulations of The Caretaker. By the time we reach the middle of the track, these classical manipulations have faded and been replaced by something much more electronically/digitally oriented. Strange noises, likely originating from some sort of synthesizer effects provide a base for the soundscapes with vocals being played in reverse just beneath the surface of the mix. Like the previous track, as we move toward the end the sounds become harsher before slowly fading back into silence.
While it is necessary to use words like harsh and noise to describe some of this music, these elements never move into a territory which would become overwhelming. The beauty of The Place of the Crossing is its ability to be at once heavily experimental and occasionally noisy without ever taking it too far. Restraint is used perfectly to keep the sounds right on this threshold without ever going too far into the harsh noise or chaotically experimental territories. Though these elements create the entirety of the album, it still feels like an often relaxing and always interesting musical experience.
The physical release of this album is presented beautifully by Chthonic Streams in the form of a simplistic yet elegant looking cassette accompanied by an autographed art print and single sheet of high quality paper which presents the albums credits. These are all delivered in a black portfolio box.
The cassette seems to be the perfect format for an at times noisy and experimental release of this sort. The manipulations of the soundscapes presented by Hoor-Paar-Kraat will quite likely leave the listener a bit concerned on the first play-through as there are sections where the music literally sounds like the tape is being eaten by the tape player. I find this to be a clever and entertaining element of the product. Its as if the musician is breaking through that fourth wall, giving them the ability to further mess with the mind of the listener.
As my first foray into the works of the Chthonic Stream label, I find this release to be a pleasant listen. It has enough diversity of sounds to keep the listener thoroughly entertained on an active listen, while simultaneously never pushing the boundaries so far as to be a complete disruption on a more passive listening session. The physical release is well thought-out and seems to be masterfully prepared. I would certainly recommend this to listeners who dabble in experimental music. The album is just experimental enough to be a novel experience, without ever going so far as to sound chaotic, a balance which is often missed on these sorts of endeavors.
Druhá Smrt have released a number of albums through the Sombre Soniks label. Their variety of ritual dark ambient has a distinctive sound that often makes them immediately recognizable. Tim Van der Schraelen has created this video for their track “Contemplate Darkness” which is exclusive to the first compilation from our zine, This Is Darkness Presents Vol.1 Dark Ambient.
Stay tuned for more upcoming videos featuring tracks from this album!
This Is Darkness is very proud to present to you the first of our compilations. This one has been in the works for about 8 months and has been a lengthy but exciting process. We are presenting you with 66 exclusive tracks, coming in at 7+ hours of music. This is a combination of some well known artists and some that are up & coming. The release is going up today as a pre-order for $5, 10 tracks available immediately. After release on 18 September, it will be changed to “name your price”. This way, if anyone wants the 8 preview tracks now, or just wants to go ahead and show some support, they can do so within the pre-order period. After that, you can decide how much, if anything, you want to pay for the release. Please enjoy, share the news with your friends and let us know what you think of the compilation! Pre-order available here.
Earth has been witness to many religions, new and old. The world is an old place, and daemoniacal powers run back to her very birth. Follow This Is Darkness on a trip into the most corrupted of churches, monasteries and hermitages. The corruption of the religious order seeps from this mix. Strictly dark ambient, so this will remain reasonably subtle throughout the mix. Perfect for a night of reading some horrific dark fiction, playing irreligious video games, or meditation to invoke the darkest of powers. See the full set-list and links to each artist at the bottom of the page (scroll waaaaaay down…)
Note: Sacrificial offerings are not necessary, but will likely increase the effects of this mix. Patreon
Tracklist:
01. The Breach
02. Watching Eden Burn
03. Flesh Reconstitution
04. Apotheosis (feat. Northumbria)
05. Arc of Thralls
06. Reverence of Wounds (feat. Simon Heath)
07. The Fruitless Lands Pt II (Live Excerpt Redux)
08. And Hell Followed
09. Rebirth Through Fire
On his third release with Cryo Chamber, Randal Collier-Ford closes his apocalyptic series. Promethean follows in the footsteps of Remnants and The Architects before it, bringing listeners into a futuristic version of our world which has seen itself torn apart. But this dying planet clearly has achieved many more technological advances than are present in our current age. This gives us a futuristic story which is simultaneously bleak and imaginative, progressive in its advancements of science and robotics, but degenerative in its social stability.
We are told in the album blurb for Promethean that this final chapter of the story takes place years after the events depicted in The Architects. If The Architects was the time of great advancements, Remnants was the time of their decline, and it would seem that Promethean is the time of a renewal or a wiping of the board, a clean start for whatever remains of humanity.
Parallels can be drawn between this trilogy by Randal Collier-Ford and the stories of Atrium Carceri and Sabled Sun, both by Cryo Chamber label-head, Simon Heath. The story seems to be linear in its telling across this trilogy, moving toward a definite end, like that of Sabled Sun. But, like Atrium Carceri, the storyline is often blurred and not necessarily following a single protagonist through this series of events. It would seem that each album in this trilogy contains its own mini-story, all three of which connect to form the full scope of the trilogy. But, pinpointing this as a formula still won’t necessarily bring a lot of clarity. It doesn’t seem feasible to pull the whole story together in this review, though I tried hard to connect the dots. Much like the stories by Simon Heath, the hints given by Randal Collier-Ford will take time, effort and a bit of imagination to fully reveal themselves. The guessing is half the fun and each listener is likely to draw their own conclusions.
The opening track, “The Breach” is certainly the most straightforward attempt to let listeners in on some of the secrets. We hear the voice of the album’s protagonist, but it is distorted, troubled and frankly hard to understand. But, with repeated listens on a good set of headphones, the passage will definitely start to come together. The story seems to pick up on Day 252 of the protagonist’s journey, or at least their documentation. We are told that there has been a possible overdose on some drug, but that this will not hold them back from continuing with their mission, whatever it may be.
As we move through the album, along with the protagonist, we encounter the recurrence of crackling fires, footsteps and strong rains, usually accompanied by thunder. Within this journey across this scarred landscape we encounter a plethora of futuristic mechanical sounds. Sometimes it seems that we are moving into some industrial complex, other times we may come across some demonic robot, maybe of the sort that we were introduced to so long ago in “Construction of a Demon” on The Architects. Then late in the album on “And Hell Followed” we experience deep rumbling bass and industrial noises of some heavy machinery. Which may or may not represent the place visited during “Hellgate”, also from The Architects. The protagonist, most often seems to be making a solitary journey, devoid of other human life, but there are instances like “Arc of Thralls” which seems to be a potential point of encountering slave laborers in some industrial complex, or maybe these are just more machines.
All these futuristic, industrial and robotic sounds on Promethean seem to have connections to The Architects. But, there is an equal portion of the album that pulls at a more emotional element, which makes an equally potent connection to Remnants. The setting of lonely campfires and what seems to be perpetual thunderstorms help set the emotional aspect of Promethean. Furthering adding to these elements are the contributions of Simon Heath on “Reverence of Wounds” and Northumbria on “Apotheosis”.
“Reverence of Wounds” seems to be the perfect clashing of the two different elements of futuristic technology and a solitary depression. The track starts off giving vivid details of footsteps inside a building, robotic whirs and bleeps as if the protagonist is working hard in some robotics laboratory, but the track takes a dramatic turn midway through, as if the protagonist is stepping outside of this area, gazing over the scorched abandoned landscapes. The piano draws on emotions of longing and despair. We can almost imagine the dark heavy clouds hovering over a dilapidated cityscape, crumbling streets, abandoned homes and vehicles. The protagonist, reminiscing on memories of times and events that will never return, or that he may never have even been able to experience in the first place. This sentiment seems to continue as the album proceeds into “The Fruitless Lands”, another track filled with thunder, rains, contemplative drone-work and a spattering of these futuristic robotic noises which return toward the end of the track.
Ending on “Rebirth Through Fire” the album takes a more positive turn. Plucked harmonics, a catchy piano tune and the continued exposure to the futuristic noises which almost melt into a proper beat provided by electronic percussion lead us to an ending that truly seems to depict a rebirth. Whether the protagonist has actually died and been reborn, has transferred their mind into an artificial vessel or just found a new ray of hope for the future is hard to tell.
What is most important is the emotions evoked on this journey, the experience of the listener as they travel through the varied landscapes created by Randal Collier-Ford. After years of experimenting with just about every angle of the dark ambient genre, Randal Collier-Ford has learned exactly how to move our minds in the way he intends. The story is meant to be elusive and cryptic. But the emotions are real, the experience is authentic. Whether any of us listeners will one day crack the code, and figure out exactly what the hell is happening on this trilogy is secondary to the experience of enjoying it for what it is, a work of aural art. Highly cinematic at times and down-right musical at others, Promethean is a pleasure to experience in its entirety.
Sorry for the delay, it’s been a rough week for me, physical therapy is kicking my ass. But, alas, the show must go on! I am very pleased to announce that we have a new contributor joining our very small team! Maxwell Heilman has many of the same interests in music, games and books, so he should be a great fit here as far as his likes. Also, he majored in journalism, so we have a pro entering the ranks! The link to his first review of the Depressive Silence re-release can be found at the bottom of the page, please check it out and give him a warm welcome!
There are tons of new releases this week! Personally, I am ecstatic to announce that Cryo Chamber just posted their first vinyl release, Black Corner Den by Atrium Carceri & Cities Last Broadcast, for pre-order! Get them while they’re hot! More information on that below, along with many other noteworthy releases. I hope everyone is enjoying their week and if any of you are from the Houston area, I hope you found safety and a dry bed! Thanks so much to all our readers for you continued support! We would be nothing without our readers and the musicians that inspire us! We have a huge announcement coming up in the next week or two that will serve as a big thank you to both readers and artists! Until then, peace and godspeed!
New Releases & Preorders
A Bleeding Star – New Album Released (Xtraplex – Digital Only)
“Encyclopeiaferamorte Decuparactesdelosotros Vienhivernatomeindormir or short EDV, is a capsule one takes on dark sweaty nights. The kind of summer nights you have to sleep but you are too full of energy to stop your thoughts. Restless steamy nights. A capsule for soothing the heavy heat around and protecting you from the geiser of dysfunctionality in the world outside.
‘Yo man, u restless? Here, have some EDV, it will calm u down'”
Anabasis – New Album Released (Østpreussen – Digital Only)
Follow Odysseus on his voyage throughout the enchanted ancestral islands of the great Hellene nation. Anabasis introduces us to the sorcery, underworld and other courageous feats of the great Odysseus on this “name your price” experimental dark ambient album!
Ancient Boreal Forest – New Album Released (Digital Only)
A compilation of hand picked tracks from the Ancient Boreal Forest catalogue. Set as “name your price” this is a perfect chance to get acquainted with the music of this atmospheric artist.
Atrium Carceri & Cities Last Broadcast – Preorders Available
(Cryo Chamber – Vinyl/CD/Digital)
The two bearded Swedes join forces on this collaborative album. Black Corner Den is the result of long winter studio sessions separated by the atlantic ocean but made possible by the internet. Lonely moments in the company of the night lamp, overlooking the messy pile of tape loops while the machines hummed and the piano played until the morning.
Pär Boström’s dreamlike soundscapes combines with the careful melodies and elegant structures of Simon Heath. The perfect soundtrack for decadent nights or introverted reading sessions, preferably combined.
Brother Saturn – New Album Released (weareallghosts – Digital Only)
“Apollo, Can You Hear Me? is an exploration of subtle, dreamy electronics in a languid, luscious longform ambient manner. It is as much about restraint as it is about expression, Miller has not let his wonderfully five-steps-ahead creative mind runaway but has, instead, kept it tightly constrained and, in doing so, created an engaging collection of tracks that are cohesive, coherent and downright enjoyable.” “name your price”.
Cian Orbe Netlabel – New Compilation
H.P. Lovecraft Tribute [At The Mountains Of Madness]”(dark ambient, experimental, musique concrete, soundtrack)
Check out the album on archive.org here.
Dronny Darko – New Single Released (Digital Only)
“No matter how many times I wanted to leave my country for better life. No matter how sad a feeling is when you see old people on the street bagging for help because our government is too busy robbing itself. No matter all the bad aspects, this land will always be my home. This is where the soul lives. This is where it all started…
I created this track to celebrate the Independence Day of Ukraine, my home. I still believe in our people and that we can drive ourselves to something good. Fighting the all corruption, wars and all the bad stuff. Happy Independence Day, Ukraine!”
Grist – New Album Released (Sombre Soniks – Digital Only)
“It is time for our yearly dose of hypnotik mono goodness from thee mighty Grist, thee Blak Ritual Projekt hailing from Australia!
‘Levitation’ is thee fifth release from Grist for thee Sombre Soniks label and features three kompositions totalling just under an hour of apokalyptik minimalism and immersive Drone environments!”
From thee Artist: “For this season’s Auguristic Offering, GRIST humbly delivers three pieces, two connected and one unconnected but old, so the first and last act as a Chronistic Bridge over the ancient thrashing abyss between them.”
Haunted Me – New EP Released (Petroglyph Music – Digital Only)
Gretchen Feast on Slow Things is a long-form dark ambient track that takes the listner deep into the dark depths of its hauntingly dark drones, vocals and experimental noises. “name your price”.
Holotrop – New Preorder Available (Rabbau – CD/Digital)
The dead birds are calling. Holotrop unleashes the dark side of Transpersonal Musick, visions of this world coming to an end. In his compositions, drones mixed with ritual sounds result in tremendously powerful tracks which evoke the feeling of desolation which throws us back onto the essence of mere human existence. The crawling rhythms together with distorted vocals make the darkness settling on our souls almost tangible. Holotrop created a world without hope that we find ourselves in as we walk the path towards our own downfall and decay.
In addition to the oppressive soundscapes, this work has been expanded to a philosophical compendium influenced by pioneers of anthropofugal thinking like Philipp Mainländer and Ulrich Horstmann. Freed from all cultural limitations, Holotrop dissects the abyss of human consciousness, leaving us in a desert of nothingness while the archaic soundscapes outline the entropy of all life along the lines of shamanic traditions. The dead birds sing their final song – the end is near!
Paleowolf – New Album Released (Digital Only)
“Fourth full length album by Paleowolf. Prehistoric tribal ambient, shamanic invocation of the ancient Ice age animal Totems, gigantic wildlife of the 150.000-9.000 BC, collectively known as Megafauna.
Early history of the planet Earth was ripe with lifeforms that may well go beyond our imagination. Still, animal world lost to our knowledge and percepetion is not lost to our collective unconscious and genetic memory.
There was once a magnificent and glorious time when giants walked the Earth. Colossal wildlife roamed the Ice Age tundras and steppes while early Hominids watched in awe. Impressions that these glorious beings, powerful specimens of mother Nature, made to the newborn minds of Ice Age humans was tremendous.
Prehistoric artist-shaman carves the lines and draws the glyphs in the cave walls, creating a Totem of the Megafauna, inviting the mighty ancestral energies of the Wild to take hold of tribe’s life and destiny. The tribe chants and meditates in unison, summoning the Great Feral spirit of Nature.”
Sana Obruent – New Album Released (Blackjack Illuminist Records – CD/Cassette)
Everybody who shat their pants listening to Sana Obruent’s incredibly dark and terrifying predecessor album Dyatlov must feel like being taken back to life from the dead listening to the opening track of the new album August, simply entitled “I”. It sounds like being pushed into an overwhelming stream of energy. A strong, wild river full of what life might have in store for you, full of all possibilities, all emotions at once, strangely positive on the surface, yet intimidating with its rumbling deep drones underneath.
It is a heavy album that Paul Lopez who is the sole member of Sana Obruent created. As if he wanted to imitate the sound of icebergs floating by or massive mountain ranges scraping the earth, it is intense Drone, bulldozer-like, heavy Drone that shakes the listener’s living room walls. This can best be felt in “II” which sounds like the field recording of a giant spaceship which is passing through an alien portal heading for planet earth with dubious intentions on their minds.
Scott Lawlor – New Album Released (Digital Only)
“Inspiration for the music came from Tangerine Dream’s Zeit
album, in particular, the first track called Birth Of Liquid
Plejades, one of my favorite tracks by this legendary band.”
Sound_00 and Lefterna – New Album Released (Throne of Bael – Digital Only) Collab 27 is a deep ambient release filled with thick washes of field recording sounds manipulated and contorted into droning textures. “name your price”.
Tryhm – New Album Released (Kalpamantra – Digital Only) Labyrinth uses a heavy dose of tribal/industrial drums and deep rumbling drones along with experimental vocal elements to give us a dark dungeon-like experience.
Vacant Stations – New Album Released (Winter-Light – CD/Digital)
Awaken. Force yourself up. Draw the blinds. Grey light burns your eyes. Plug yourself in. Step out of the door and fade in to the swim….
From the first opening moments of ‘Day’, you already know that you are about to experience something totally different from the artist ‘Vacant Stations’. As the first solemn sounding notes play out, the mood is set, hanging in the air like a heavy, dark oppressive mantle. But all is not lost…there is always hope.
Vacant Stations is an ambient project hailing from London, UK who has a background in film and video. Through his music, Vacant Stations generally hopes to conjure visuals and inspire creativity. A little bit about the thoughts behind ‘Clones’ in the words of the artist himself.
“Some of the motivations and intentions behind ‘Clones’, are mostly concerning the theme of identity: A meditation on the conflict and pressures of striving for individualism in an era of homogenisation, while considering implications about the future of human identity as it inevitably merges with the technology it creates. A self-reflexive comment on what have come to be regarded as dark ambient genre conventions. Hopefully a sense of narrative also comes through.” – Vacant Stations.
Voctum de Mortum – New Album Released (Digital Only)
An experimental dark ambient album filled with a plethora of field recordings and other sounds coming together to create something dark, unique and thought provoking. “name your price”.
Voiid – New Album Released (Hexx 9 Records – Digital Only)
SR-783△ takes listeners into dark industrial noise soundscapes. As hypnotic as it is haunting, Voiid showcase a more experimental side of dark ambient that still upholds its atmosphere.
Sales! Any record labels with sales and specials up on their sites should definitely give me a heads-up. I try to track down current sales for various labels but I’m sure some have slipped through the cracks.
Malignant Records – Bandcamp Sale (ALMOST OVER!)
Friendly reminder that there’s 1 day left to take advantage of the 30% sale happening at the Malignant Bandcamp page. Head on over and use the code: dogdays30 https://malignantrecs.bandcamp.com/
Cryo Chamber – Atrium Carceri Sale #3 In this weeks sale we are focusing on Atrium Carceri Save 50% on these digital downloads:
“This week I’m going to give you a few more glimpses into the Atrium Carceri mythos, these texts are taken from the CD Booklets and are also available on atriumcarceri.com.”
Atrium Carceri & Eldar – Sacrosanct
This was one of my earlier albums on Cryo Chamber and it was the first real collaboration I did with Atrium Carceri and another artist, which has led me down a path of further collaborations.
Atrium Carceri – The Untold
We reached the bottom. Outside the sky is black but we see each other clearly. No color through. Did the stars take that from us?
As we stepped out, our feet crunched on countless shards of glass. Glittering dunes rolled endlessly. The ground squirmed with motion. I chose a piece and saw a man picking at his teeth. I reached for another, a woman undressing. At my feet I saw a thousand people looking back at their own reflections.
One of my captors whispered to himself: HE WATCHES US.
– Excerpt from the 17 page digital book The Untold Associated Collections
Atrium Carceri – Metropolis
Servus-
When we were gods, they were our slaves, now they hold our chains as we live oblivious to their existence.
They serve our enslavers now, and have been rewarded plentiful for doing so. They are the bankers, the judges, the priests, the commanders, the presidents, the educators, the kings and queens.
They love tormenting us for what we did to them in ancient times.
The Cowled Seers-
The Seers watch us day and night from the other side, their agenda is unclear.
Their pawns in our world tend to be homeless drifters who travel from place to place spreading the word of “truth” until the Servus eventually finds out and shuts them down.
Atrium Carceri – Archives I-II
The Archives collection is a look into Atrium Carceri’s archived audio files from the last 10 years. This album was created using audio recorded during 2005-2015 and consists of B-sides, forgotten tapes, tracks that for one reason or the other did not make it onto one of the Atrium Carceri albums, or tracks that were in circulation but needed a remaster.
This Is Darkness Week In Review
Asath Reon – Buried Visions
We should not be surprised to hear such a quality release. Black Mara Records have continued to prove that they are not going to back down from the realms of ritual dark ambient. They are slowly finding their niche, which diverges greatly from that of a label like Aural Hypnox, but finds an equally attractive balance and consistency in its form of ritual darkness. Michal Polgár has been honing his skills for years, and now more than ever he seems like he’s truly found his calling. I would highly recommend Buried Visions to any fan of ritual ambient music. Asath Reon could easily become one of the heavy weights in this genre.
Read the full review here.
Depressive Silence – Mourning (first review from our new contributor Maxwell!)
The return of Depressive Silence stands as testament to the longevity of Ral’s two-decade-old album. Though many modern artists continue heightening the instrumental and thematic elements of dungeon synth, Mourning stands as a distant lighthouse beckoning back to the source — a reminder of the potential this vein of dark ambient had already realized merely three years after The Song of a Long Forgotten Ghost by Mortiis which sparked it into being.
Read the full retro-review here.
Please consider making a donation!
This Is Darkness has gone live with the help of friends and supporters. I have been disabled since 2015, due to a spinal injury. Any support that can be given is greatly appreciated. Donations will go toward the maintenance of this site as well as additional promotion to increase its reach and influence. You can help through the donate button below, or follow this link to the This Is Darkness Patreon page here.
Tracklist:
01. Aka Manah
02. Dark Waters
03. The Timeless Self
04. Soul Stealing
05. Lone Weaver
06. Rise of the Forked-Tongued
07. The Damned
08. Tower of Silence
I’ve been following the musical career path of the artist behind Asath Reon for several years now. Back around early 2015 I found his old project Morvranh. I quickly fell in love with sounds of his music. The darkness was heavy, the sounds were subtle, perfect for increasing that dark augmentation to my surrounding atmosphere. Over the next few years, Morvranh continued to gather the releases. As a solo artist his albums found their way to labels such as Forest Path, where his first album, Mysterium had a digipak release. His work with Ruairi O’Baoighill in the form of Order of the Black Dawn released their first collaboration through Noctivagant Records.
Early 2017 saw a change of direction for Michal Polgár, from Handlová, Slovakia. Starting with a fresh slate, Asath Reon was born. This project would go on to record the debut, Buried Visions, which has been released through Black Mara Records, out of Novosibirsk, the Siberian city in south-central Russia. True to form, when it comes to Black Mara, the release was given an impressive production. The album is available in an exclusive limited-edition, on a CD that comes with a red leather hard-bound book, themed photos, poems and quotes, as well as a hand-made wooden pendant. There is also a themed t-shirt coinciding with the release.
Asath Reon takes Michal Polgár into some of the darkest territory we have yet witnessed from him, arguably darker even than much of the Black Mara discography! Its foundation lies directly in the ritual ambient sub-genre with a full array of sounds drawing it to this placement. One need look no further than the opening track, “Aka Manah”, to find so much of what makes this project truly dark. There are singing bowls, human chants, recitations from some malefic book in a deep guttural tonality. All these elements sit atop a layer of hollowed-out drone-work. By the end of the track, the ritual is underway and the listener is primed for the further plunge into these daemonic rites.
Much of the album more or less follows these patterns described in “Aka Manah”. The music could be compared to that of Shibalba. I use Shibalba as a reference to these sorts of albums quite often, but it really is the case. The one point that Asath Reon differs noticeably and may even surpass Shibalba is in the use of this guttural vocal element. The vocals produced by this artist are beyond malign and seem to arise directly from the fiery depths of the earth.
On “The Timeless Self” the vocals seem to come, not from some dark priest, but instead from some horrendous creature, some truly demonic aberration. The drones, chants, ritual instruments and field recordings come together in a cacophonous wall of sound that eats away at the sanity of the listener. This is not to mean that the sounds are unpleasant, everything works together as a seamless whole, that feels right, regardless of the depths of its darkness.
We should not be surprised to hear such a quality release. Black Mara have continued to prove that they are not going to back down from the realms of ritual dark ambient. They are slowly finding their niche, which diverges greatly from that of a label like Aural Hypnox, but finds an equally attractive balance and consistency in its form of ritual darkness. Michal Polgár has been honing his skills for years, and now more than ever he seems like he’s truly found his calling. I would highly recommend Buried Visions to any fan of ritual ambient music. Asath Reon could easily become one of the heavy weights in this genre.
This week we have a ton of new releases to share with you. Some lesser known as well as other better known projects are releasing albums. We also have a few reviews and a mix to share from the previous week, you can find these at the bottom of the article, as usual. We are getting close to finalizing a new project here at This Is Darkness and within the next few weeks will have a huge announcement (edit: actually two announcements). So stay tuned for that! I hope everyone’s summer is going well. Thanks as always for following This is Darkness! If you are interested in supporting our cause, you can find information about how to do that at the bottom of the article. Peace!
New Releases & Preorders
Alphaxone & Dronny Darko – New Album Released (Cryo Chamber – CD/Digital)
Alphaxone (Iran) and Dronny Darko (Ukraine) join forces on this mysterious album.
“The fog hangs heavy over the emptied town as you make your way down the crest overlooking the ocean. The streets lie silent but for the subtle click of a stoplight juggling colors. Your hand disappears into the thick fog here and the smell of sulfur from the nearby factory feeds your head. Something about this place feels wrong.
Damp thuds spins you around towards the misty outskirts of the beach town. A white horse disappears into the hills and behind it a trail of other animals flee after it. And then it booms, the sound of the fog horn rolls in from the black ocean and echoes off the buildings, the stoplight sways. Silence afterwards, ear shattering.
The old man was right, they’re coming for us!”
Alphaxone’s smooth pads and deep bass meets Dronny Darko’s long form drone and ethereal reverbs in this trip into the fog. For lovers of evolving drone soundscapes.
Andrew R. Grant – New EP Released (Digital Only)
Grant is best known for his death industrial project The Vomit Arsonist. This latest release is in the genre of dark ambient. Amended is three shortened versions of a much longer piece of music. The sounds were recorded in the Fall of 2014. Grant will be planning to release the unedited versions in a physical format at a later date.
A Bleeding Star – Weekly Single Released (Digital Only)
“Wildcavenight: Organically Erotic Ambient for those Cryptic Souls Passionately Grave Inclined” is the latest track by the dark ambient artist A Bleeding Star. Deep and slowly morphing drones meet subtle, quite distant drumming for a track that is highly minimal and yet steeped in character.
Bad Sector – New Collection Released (Digital Only)
Selected is a compiliation of previously released Bad Sector tracks. While many of these are not his most well known tracks, there are a lot of gems here and its a brilliant way to enjoy a the sound of Bad Sector from 1995-2016.
Biophon Records – Memorial/Benefit Compilation for Christian H (Biophon – Vinyl/CD/Digital)
“For Christian H” is a compilation album from the Arctic Norwegian city of Tromsø, dedicated to the memory of Christian Hollingsæter – the director of the Insomnia festival – who died unexpectedly in May this year, only 35 years old.
All 18 tracks have been gifted exclusively for the album, which is available as a digital download, a CD, and as a limited edition numbered LP with hand printed artwork by Knut Fjørtoft. It goes on sale on September 13th., with all proceeds going to Christian´s son Julian.
Bzaurie – New Album Released (ΠΑΝΘΕΟΝ – Digital Only)
Hidden Landscape Voice isn’t classified as dark ambient and yet for the dark ambient listener share should be everything here that one would seek in a dark ambient album. ASMR field recordings, gentle drones and presumably tape loops set the foundations for this track which adds many more various sounds to the mix for an highly engaging album that is best experienced on headphones. “name your price” and highly recommended.
Empty Chalice – New Album Released (Cardinium – Cassette/Digital)
This latest release by Empty Chalice is an interesting take on dark ambient. The artist behind the project has provided a poem by David Lynch which encompasses the ideas and direction of the album:
“Ideas are like fish.
If you want to catch little fish,
you can stay in the shallow water.
But if you want to catch the big fish,
you’ve got to go deeper.
Down deep, the fish are more powerful
and more pure.
They’re huge
and abstract.
And they’re very beautiful.”
(David Lynch)
Grid Resistor – New Album Released (Digital Only)
This latest release by Grid Resistor, the new project by the man behind Mystified, is on the more experimental side of the dark ambient spectrum. Using only machine sounds as his source material, Grid Resistor takes a bold step into the deepest depths of the post-industrial world. “name your price” so it is worth a try for those whom enjoy highly experimental works.
Haunted Me – New Single (Digital Only)
“Hey folks, a new, long, deep piece is here for you, waiting to be downloaded. “Gretchen Feast On Slow Things” is a 21 minutes drone, now out for Petroglyph Music. This is the longest track I made so far and it was quite a challenge, so please take a listen and tell me what you think. Download is obviously free (click here). ”
Kashya – New Album Released (Digital Only)
Kashya is an artist that I’ve been following for several years. Though I don’t think he’s made a release backed by a proper label yet, his discography is quite enjoyable and impressive. His music is best suited for times when relaxation is the ultimate goal. The “darkness” in his releases usually comes in the form of subtle drones and synth pads. If this album is to your liking, I would recommend searching deeper into the discography of this artist, you will find many hidden gems here.
Marcus Fischer – Preorders Available (12k – Vinyl/Digital)
Loss is the long-awaited and anticipated follow-up to Marcus Fischer’s acclaimed Monocoastal (12k1063, 2010). Fischer created Loss over several years, finding inspiration to complete it during his time at the Robert Rauschenberg Residency in Captiva, Florida, in early 2017. The album is a particularly emotional work as Fischer explored what loss means to him and how to cope with the permanence of absence. The result is decisively somber and perhaps one of the darkest, most emotional albums in the 12k catalog.
Fischer manifested the concepts of loss in his compositions through the use of generation loss from reel-to-reel tape, re-recording sounds through various speakers in physical spaces, layering, and the use of sounds that have been physically displaced from their source. Conceptually, he listened inside the degradation of sound, pulling out chance moments of beauty and hope amid the rubble.
While Loss has a bleak and lonely tone, the music is characteristic of Marcus Fischer with fragile tape loops on the edge of falling apart, distant haunting melodies and a physicality that grounds the album’s human spirit.
Releases 1 September
Metadronos & Scott Lawlor – New Album Released (Digital Only)
This is quite a disturbing release. Those whom enjoy the experimental side of dark ambient should find a lot to like on this release. It is surprisingly haunting considering the way it was crafted. Scott Lawlor says of the release,
“‘to suffering there is a limit, to being in fear there is none”‘
(Pliny the Younger)
MetaDronos and I felt that this quotation was an accurate description of the subject matter used to create this very dark ambient concept album about a friend of mine
who has been in all manner of institutions and clinical settings from medical hospitals to insane asylums and the tales of horror therein.
No hardware or software synths of any kind were utilized in creating this album.
All of the tracks were created from various voicemails sent to us, granting both of us permission to manipulate them into the horror that will unfold before
your ears.”
Michael Meara – New Album Released (Aural Films – Digital Only)
“The inspiration for this record is the aging process. As we age, the following usually occurs: Focusing on close objects becomes harder. The lens becomes denser, making seeing in dim light harder. The lens also yellows, changing the way we perceive colours. The number of cells in the spinal cord begins to decrease. The amount of active bone marrow, where blood cells are produced, decreases. Our skin tends to become thinner, less elastic & drier. Nerve cells may lose some of their receptors for messages. Blood flow to the brain decreases, thus the brain may function slightly less well. We may react and do tasks more slowly. The ability to taste and smell starts to gradually diminish. Hearing high-pitched sounds becomes more difficult (known as presbycusis) making some words become harder to understand.”
Rauppwar / These Gaping Jaws – New Split Album Released (Throne of Bael Records – Digital Only)
Wire Lambs / 78’s is a brutal yet worthwhile journey into dark and disturbing cacophonous noises. This is a release for those listeners that prefer an album packing a punch. Not for the faint of heart, but a nuanced and interesting experience for those willing to take the plunge. “name your price” so you can decide if it is for you without making any real commitments.
Thangorodrim – New Album Released (Deivlforst Records – CD/Digital)
The dungeon synth artist Thangorodrim has just released his second full length on Deivlforst Records. He is considered by many to be one of the foremost artists in the dungeon synth scene. You can check out the review on This Is Darkness here.
Veiled Monk – New Album Released (Cephalopagus Records – Digital)
To truly understand the path of self-knowledge, one must be present for all steps along this path. This ritual reflects the pain and ecstasy of the seeker when they cross the fields both physical and mental.
Correlation between the physical impulse and mental obscurity is tightly wound around the middle Identifier; The very creation of a center that will be completely absorbed and destroyed in the process of lighting. “I’m The Veiled Monk, I started my journey much later than others, determined to pamper myself in a world of insanity for the season.
Travel is a necessity for me, if not for someone else. After the transition from the monastery of Silence, the main purpose of this journey is the opening of the Night Gate. This is my burden, my mission, my goal. Follow me …
Weress – New EP Released (Digital Only)
Weress is an experimental one-man project from Bordeaux, France. His music covers a variety of genres, though almost all of them fall within the realms covered by This Is Darkness. This particular release his a demo in the niche of electro space ambient.
Winterblood– New Album Released (Digital Only)
The latest release by the Italian dark ambient / dungeon synth project Winterblood takes us on another plunge into the fridged cold and isolated darkness of the most remote mountainous regions of northern Italy. For this release Winterblood only uses analog synths to achieve his lo-fi eerie atmospheres. Yet, the music still seems to have a character that stands out from most analog synth albums. A particular treat is the first track “Waldeinsamkeit II” a thirty minute follow-up to his previous release, Waldeinsamkeit. A highly recommended release.
Specials & Sales!
Cryo Chamber – Atrium Carceri Sale #2
In this weeks sale we are focusing on Atrium Carceri
Save 50% on these digital downloads:
This week I’m going to give you a glimpse into the Atrium Carceri mythos, these texts are taken from the CD Booklets and are also available on atriumcarceri.com.
Atrium Carceri – Souyuan
I continue ever inward through the home of the 12 Angels, the home of no gates. Each voice in my head a different soul – ground, cut and re-injected into my quivering flesh, 6000 steps below. Disillusioned yet somehow more in touch than ever before with my own divinity. In the bunkers of long forgotten wars, victims of drought, disease and war lining the corners like jewels – one of the few permanent links to our former home, resplendent yet decaying, as are we all.
Atrium Carceri – Phrenitis
Dead tired with gloves made of mud I cower in the sulphurous smattering rain. The stench of spilled blood fills my nostrils, together with a sickly sweet odor that defies dexcription. I glance up from the trenches towards the ruined city and the opposing soldiers, caught up in their insanities. War is painted on their faces, grinning, bloody, obscene – their pupils dilated, black and vibrating. The air itself feels charged with something, the essence of which cannot be comprehended, much less explained. In their midst he stands – The Warlord, The General. Calm and in control, yet his face twisted… Shifting from human to utterly obese, with milky skin and veins that move frantically as sea snakes. His bulbous black tongue moves from left to right in his drooling maw like a lizards tail while he watches over the slaves that do his bidding. Engorged, he shudders with barely contained fiendish glee.
Atrium Carceri – Reliquiae
I had reworked the formula again. This time factoring in the element of chaos. It was all dependent on the same intertwined variables and the ugly, faceless will of the masses. Would they stand their ground when the veil was torn screaming from their eyes or would they cower in fear, mentally maimed by the devices their controllers had thrust upon them? A few years past I would have thought it impossible to manipulate – No, de-manipulate them. Yet reclaiming my godhood, facing the myriad horrors from beyond the illusion. The enlightenment had shaken me to the central core of my being. We are not to be scared of them, because they are scared of us. They. Our former slaves have rebelled against us. As we shall rebel against them.
Atrium Carceri – Void
The Cowled Seers from beyond the frigid void incessantly observe us moving through our daily lives. Manipulating the orders of chance and whimsy they collect our thoughts and steer us through the illusion. Their goal to collect the few for an expedition deep down into the abyss where The Lost God once sought refuge. The weave of “reality” grows thin as they explore what lies beyond even the manifold spires of the ancient city as well as the fractured memories of every swayed traveler.
Malignant Records To escape the heat and suffocating humidity, might I suggest you stay indoors and take advantage of the newly applied 30% discount on digital downloads over at the Malignant bandcamp page? Just use the code dogdays30 at checkout and curse the sun as you drift into darkness. https://malignantrecs.bandcamp.com/
This Is Darkness – Week In Review
Thangorodrim – Gil-Estel
The mastering by Grimrik and the high quality physical release formats of this album provide a great reason to delve into Gil-Estel, as opposed to so many other dungeon synth albums that have been released recently. Adding to this the talents of the man behind Thangorodrim (who is still quite the mystery, only showing his painted face and devoid of social media profiles) this is really a great place to make a first delve into the dungeon synth genre. The only draw-back for me is that I do prefer my dungeon synth to have a consistently dark atmosphere, if one is in agreement with me, I would recommend starting with his previous album, Taur-nu-Fuin. For those already aware of this genre, I imagine you will also find as much to love about Gil-Estel as I have. Whenever I’m in the mood for some dungeon synth, I really can’t go wrong with Deivlforst releases and this one is no exception.
Read the full review here.
Veiled Monk – The Acolyte’s Burden
This is a well executed debut for the Veiled Monk project and a high point for the Cephalopagus label, run by the man behind Araphel. The album is released in the “name your price” format on Bandcamp, so there is really no excuse for not giving it a chance. I, for one, have listened to this album many, many times in the weeks preceding this review and haven’t even gotten close to being tired of it yet. While I’ve used the names of several other artists to convey the in words the sounds presented, I don’t feel that the music has really attempted to mimic, any of these other artists. It seems that Veiled Monk is onto something good here, and we can hope that they continue to stick to this path, of course, with the added refinement that comes in working in a similar format for an extended period of time.
Read the full review here.
The Final Struggle: Darkness & Death Mix
A mix of dark ambient and death industrial music. The theme of this mix is a story of a dying planet, a protagonist at their wits end, the final struggle between life and death and ultimately defeat. The afterlife is enshrouded in turmoil and the final resting place of the soul is conjectured. This mix is at times serene with strong religiosity, and yet the mood and atmosphere is chaotic and constantly shifting, reflecting the final struggle in the before and after.
Listen to the mix here.
Please consider making a donation!
This Is Darkness has gone live with the help of friends and supporters. I have been disabled since 2015, due to a spinal injury. Any support that can be given is greatly appreciated. Donations will go toward the maintenance of this site as well as additional promotion to increase its reach and influence. You can help through the donate button below, or follow this link to the This Is Darkness Patreon page here.
Asath Reon
Depressive Silence
To escape the heat and suffocating humidity, might I suggest you stay indoors and take advantage of the newly applied 30% discount on digital downloads over at the Malignant bandcamp page? Just use the code dogdays30 at checkout and curse the sun as you drift into darkness.
